DALI, in figures.

In this decade, Dalí has been the protagonist in more than 15 splendid exhibitions on three continents. His works have been displayed in places as far apart as Mexico City, Montreal, Tokyo, Frankfurt, Bonn, London, Paris, New York, Sao Paulo, Pekín, Shanghai and Santiago, Chile.
The works of this artistic genius have their main home in two foundations dedicated exclusively to them: the Teatre-Museu Dalí in Spain, and the Salvador Dalí Museum in Saint Petersburg, Florida, which together contain the majority of his work. But his legacy is distributed throughout the most outstanding modern art museums of the world, from the Georges Pompidou and the Tate Gallery to the Ludwig in Cologne and the MOMA in New York, by way of the Metropolitan, the Guggenheim and the Yokohama Museum of Art.
The monographic publications now number more than 80, published in Paris, Barcelona, Munich, London, Zurich, Tokyo, Cleveland, etc. "The outrageous life of Salvador DalÌ", a biography written by the historian Ian Gibson and published recently, is just one example of the interest which DalÌ continues to arouse.
Dalí continues to be an artist of the present and disturbing.
Dalí has been a cover story for magazines, a star of radio and TV, is continuously the subject of documentaries, was the motive for a television series, etc.
He himself also developed an interest in literary activity. A total of 513 documents went from his pen to magazines, daily papers, catalogues, etc.
Dalí’s attraction is irresistible. In 2003, 1.153.713 people visited the Teatre-Museu in Figueres, his house at Port-Lligat and to the Castell de Púbol, which he gave to Gala, both today converted into museums.
It is beyond question that the Dalí phenomenon is of a scale which is difficult to equal.